ABSTRACTION 17
April 26 - May 19, 2018
Charles Nodrum Gallery
Richmond
'A group exhibition of hard-edge colour-field works to coincide with the re-staging of 1968 The Field exhibition at the National Gallery of Victoria.'
Included in this exhibition are additional works from artists in the original exhibition and artists of the period who may have been included in the seminal exhibition if circumstances were different (namely, in this case, women artists).
April 26 - May 19, 2018
Charles Nodrum Gallery
Richmond
'A group exhibition of hard-edge colour-field works to coincide with the re-staging of 1968 The Field exhibition at the National Gallery of Victoria.'
Included in this exhibition are additional works from artists in the original exhibition and artists of the period who may have been included in the seminal exhibition if circumstances were different (namely, in this case, women artists).
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L: Tony McGillick, National, 1968, acrylic on canvas, 168 x 275 cm.
R: Richard Dunn, NYC #1, 1968, pigment, acrylic and enamel on canvas, 183 x 488 cm.
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| L:Margaret Worth, Untitled, 1968, SPE on two shaped marine plywood panels, 122 x 30 x 30 cm. R: David Aspden, Jnana, c. 1966, acrylic on canvas, 175.5 x 150 cm. |
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| L: Ron Robertson-Swann, Across Matisse, 1964, acrylic on cotton duck, 56.8 x 86 cm. R: Ron Robertson-Swann, Pink Alice, 1968, acrylic on cotton duck, 259 x 104.8 cm. |
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| L: Michael Johnson, Frontal, 1968, acrylic on canvas, 198 x 172 cm. R: Margaret Worth, Genus O No. 1, 1966 - 1967, SPE on canvas, 91 x 275 cm. |
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Virginia Coventry, Solid Blue Silence, 1969, acrylic on cotton duck, in original aluminium frame, 106.5 x 244 cm.
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| Trevor Vickers, Untitled, 1967. |
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| Col Jordan, Blue Falling, 1967, acrylic on shaped marine ply, 220 x 220 x 15 cm. |
It all looks so wonderfully medieval.